By Kenny Hedges “Everything should be as masculine as possible,” the Sensei of a Dojo (Alessandro Nivola) mentors […]
By Kenny Hedges For the majority of Astronaut‘s runtime, the action remains primarily on earth. Fitting, as Shelagh […]
by Kenny Hedges American Killing is an oddly titled film, given that there’s nothing particularly American about it. […]
By Kenny Hedges The 90s and early 2000s saw a radical shift in most genres, as is often […]
By Kenny Hedges There’s no inopportune time to adapt Jack Finney’s Invasion of the Body Snatchers. It’s allegorical […]
By Kenny Hedges After the Watergate break-in at the Democratic National Headquarters and subsequent revelations made public by […]
By Kenny Hedges On it’s 20 year anniversary, Go is a shallow pastiche of Pulp Fiction wannabes. The […]
By Kenny Hedges A slasher flick – particularly one full of well-worn tropes – lives or dies by […]
One must posess a certain command of cinematic language in order to balance obscure narrative with something satisfying. […]
By Kenny Hedges You don’t expect your horror movie to be directed by Richard Grieco; however, if it […]
